Fear

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The idea behind the Letterpress Workers project, the now customary international meeting of typographical designers held every year in Milan, is that graphic design should play an active role within society and thus also speak of the drives that run through it. In the 2016 edition, the concept of fear was addressed.

The book, through a choral visual narrative, brings together the works resulting from this association and explores its socio-cultural implications, starting with the graphic design, freely inspired by the work of Dutch designer Willem Sandberg, whose human and professional example embodied the very spirit of this edition of the conference.

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Texts by Simona Borzacchiello, Claudio Madella, Fabrizio Radaelli
Art direction by Claudio Madella
Book design by Fabrizio Radaelli, Giacomo Silva

19 × 22 cm
90 pages
33 images (16 artworks)
Bodoni-style hardback
Italian/English
Isbn 978-88-98030-22-4
First published June 2017

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    Fear – De Luxe Edition

    € 80,00

    In addition to the regular (book-only) edition, we present this deluxe edition, which includes a portfolio of 25 original letterpress prints. These compositions were individually printed in response to the new common theme of ‘hope’, which followed the 2016 theme of ‘fear’ in 2017. Each year, the participants carry out their chosen theme in two stages: during the group art residency and, later, with each person’s individual work in their own studio. Opposite/complementary themes are chosen to create tension and find balance. The deluxe edition of the Letterpress Workers volume shows these two moments together.

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    Texts by Simona Borzacchiello, Claudio Madella, Fabrizio Radaelli
    Art direction by Claudio Madella
    Book design by Fabrizio Radaelli, Giacomo Silva

    19 × 22 cm
    90 pages
    33 images + 25 typographical prints
    Bodoni-style hardback
    Italian/English
    First published December 2017

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    “Cast it” is a periodical publication composed in CAST characters. Issue 3 offers the transcription of Der Schriftgiesser together with its English translation.

    Der Schriftgiesser (The typefounder) is a description of the casting of typefaces included in Werkstäte der heutigen Künste oder die neue Kunsthistorie, a kind of encyclopaedia of trades, originally published in Leipzig between 1761 and 1779. The author, Johann Samuel Halle (1727-1810), was a Prussian academic and official. His description of the type production process is probably the first detailed text on the subject written in German by an author who was neither a printer nor an entrepreneur in the industry.

    In 1922, the Wilhelm Woellmer type foundry in Berlin republished the text of ‘Der Schriftgiesser’ as a souvenir of the annual meeting of German type foundries. Thanks to Dan Reynolds, we now have for the first time an English translation of Halle’s text. The piece is accompanied by a preface that is also the only commentary on its contents ever published so far.

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    Co-produced with CAST Cooperativa Anonima Servizi Tipografici
    Type designers: Alessandro Colizzi, Erasmo Ciufo, Alessio D’Ellena, Giovanni de Faccio and Lui Karner, Riccardo De Franceschi, Rafael Dietzsch, Giulio Galli, Riccardo Olocco, Luciano Perondi, Leo Philp, Tipiblu
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    First published December 2019

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    Il dettaglio in tipografia

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    A good layout can certainly catch the eye, but when the details are not taken care of, reading requires too much effort and the pleasure quickly ends. In this nimble little book, Jost Hochuli, one of Switzerland’s best-known and most appreciated graphic designers, explains how to ensure the best possible experience for readers. To do so, he introduces us to the world of typographic detail or micro-typography and analyses its constituent elements one by one: letter, space between letters, word, line, line spacing and text column. These are all aspects that are often overlooked by graphic designers because they are outside the creative sphere, but on which the readability of the text depends. By means of examples and case studies, Hochuli points out problems and indicates solutions, stimulates acumen and critical sense and then invites every graphic designer to take responsibility for making decisions with consistency, common sense and sensitivity whenever the profession requires it.

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    Editing by Massimo Gonzato
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    Many typefaces created today are related to types of the past, and interest in older letterforms is stimulated by the great number of visual resources available. We are surrounded by digital fonts based in one way or another on historical models, but it is clear that we cannot consider all of them as revivals. So, how to distinguish a type revival from a typeface that is loosely based on historical forms? More reflection on this subject is necessary, both to help navigate the landscape of contemporary typefaces, and to give greater clarity to discussions on the history of type. This 104 pages pamphlet provides tools for researching and designing revival types. A concise publication that will show a practical perspective and fresh content, fuelling the conversation among and between designers and scholars.

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    Cast it #4

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    “Cast it” is a publication typeset in CAST characters. Issue 4 presents Fournier’s preface to Modéles de caracteres de l’imprimerie (1742) followed by Harry Carter’s English version (1930) commented by James Mosley (1995). The preface is by Sébastien Morlighem.

    In 1736, the French engraver and typefounder Fournier le jeune (1712-1768) began producing new typefaces in his foundry in Paris. Six years later, he published the type specimen book Modéles de caracteres including a “Notice to lovers of printing” that we are happy to republish. In this text, Fournier traces a history of typography by talking about his most famous colleagues who preceded him. He describes his aesthetic choices, explains his system of point measurement of typefaces and reasoning on the need to produce them in new bodies. He concludes by pledging to improve his typefaces and the quality of French printing.

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    Co-produced with CAST Cooperativa Anonima Servizi Tipografici
    Type designers: Erasmo Ciufo, Alessandro Colizzi, Giovanni De Faccio & Lui Karner, Alessio D’Ellena, Rafael Dietzsch, Giulio Galli, Riccardo Olocco, Luciano Perondi, Leo Philp, Tipiblu
    Preface by Sébastien Morlinghem
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Fear

€ 40,00