Caleidoscopica

Author:

€ 38,00

add to wishlist

Caleidoscopica takes us on a journey through the last ten years of the career of Olimpia Zagnoli, an internationally renowned illustrator whose sinuous and colourful images have quickly conquered the worlds of publishing, fashion and communication. Her unmistakable stroke guides us through the 148 pages of this anthology in an overwhelming sequence of works – drawings, prints, neon, textiles and sculptures – that are juxtaposed by free association or by clear affinities of theme, colour and form.

The rhythm of this immersive journey is punctuated by a series of texts and thoughts from authors working in the fields of illustration, design and art, offering multiple and original readings of Olimpia’s work. The uniqueness of the publication is enhanced by a series of sketches, contained in notebooks of visual notes and preparatory works that reveal the creative process through which Olimpia, seeking the synthesis of the image, arrives at the essence of the message with the freshness and naturalness that make her unique. The book, edited by Melania Gazzotti, is addressed to lovers of illustration, to all those interested in design, fashion, style and looking for inspiration, and to all Olimpia’s fans. Caleidoscopica will also be an exhibition in Reggio Emilia planned for September 2021.

—

Edited by Melania Gazzotti
Texts by Melania Gazzotti, Kim Hastreiter, Steven Heller, Italo Lupi, Paola Pallottino, Guido Scarabottolo, Leanne Shapton, Peter Shire, Tamara Shopsin
Book design by Bunker

19.5 × 26 cm
148 pages
Hardback with mirror glasses
Italian/English
Isbn 978-88-98030-35-4
First published March 2021

Description

You may also like…

  • add to wishlist
    Add to basket

    La settimana bianca

    € 24,00

    Since the beginning of her career as a visual artist in the early 1980s, Emi Ligabue has focused her research on everyday objects, from everyday utensils to the icons of modernity and design, first creating sculptures and installations and then two-dimensional works, preferring the technique of collage. Taking and recontextualising images is his signature style and has allowed the artist to freely experiment with mixing genres, and to reflect on the increasingly blurred boundaries between visual and applied arts.

    In the 65 collages of La settimana bianca (The White Week), the title of the exhibition curated by Melania Gazzotti at the Mutty cultural centre and its catalogue, Emi Ligabue measures himself against a different visual imagery: the mountain, as a relatively recent holiday and winter sports destination. This time, therefore, the subject of investigation is no longer the artefact itself, but rather the visual ensemble of snow-covered peaks, skis, snowshoes and plastic poses, placed within a collective phenomenon of custom – which began in the 1960s and is now consolidated – that thanks to artistic elaboration and interpretation becomes evocation and takes on an iconic perspective, anything but free of irony and provocation, as is the artist’s custom.

    A book for lovers of illustration, graphics and design and, of course, for die-hard winter mountain-goers.

    —

    Edited by Melania Gazzotti
    Texts by Melania Gazzotti
    Book design by Bunker

    21 × 28 cm
    68 pages
    Sewing stitch Singer
    Italian
    Isbn 978-88-98030-14-9
    First published January 2019

    Add to basket
  • img2 Out of Stock
    add to wishlist
    Read more

    La Grande Estate

    € 25,00

    The book, edited by Melania Gazzotti, stems from an experience in Tuscany, in the summer. It marks the beginning of an editorial collaboration with the Mutty cultural space in Castiglione delle Stiviere, whose bookshop moves to Castagneto Carducci, in the hills facing the sea, in fine weather.

    Olimpia Zagnoli, invited by Mutty to hold a summer workshop there, takes us on an exploration of an expressive territory she has never before tackled: landscape. She does so by going through the entire creative process, starting from careful and acute observation, breaking down perceived reality with the use of techniques that are unusual or new to her, distorting its colours, and reconstructing it with her own unmistakable style, to finally arrive at transmitting a vision of the same transformed reality. As often happens in summer.

    The reader will be able to follow the entire generative and investigative path, from the sketches to the digital plates, to the tasty textual interventions – also unusual for the artist – and thus better appreciate the fruit of this extraordinary work. An unpublished within the unpublished, therefore, a book that shares the point of view of one of Italy’s best-loved illustrators, a precious testimony that cannot be missed on the enthusiast’s shelf: new themes, new techniques, new approach. In the sign of an unmistakable style, the landscape seen through Olimpia’s large round glasses.

    —

    Edited by Melania Gazzotti
    Texts by lva Buselli, Melania Gazzotti, Sandra Gobbato, Stefano Salis, Olimpia Zagnoli
    Photos by Miro Zagnoli
    Book design by Bunker

    16.5 × 22.5 cm
    80 pages
    Hardback
    Italian/English
    Isbn 978-88-98030-09-5
    First published September 2016

    Read more
  • add to wishlist
    Add to basket

    Melodramma

    € 24,00

    Melodramma collects a selection of unpublished illustrations created by painter and illustrator Gianluigi Toccafondo for the Teatro dell’Opera di Roma. The artist has been collaborating since 2014 with the prestigious Roman theatre for which he has created all the posters for the last five opera and ballet seasons, as well as sets and costumes for operatic masterpieces such as Il barbiere di Siviglia, Don Giovanni and Rigoletto.

    Toccafondo approached theatre at the height of a brilliant career as an illustrator in publishing and as the author of short films and animation works, commissioned by television and cinema. Toccafondo brings his incredible ability to create moving images, making cinematographic language dialogue with pictorial language, also to the theatre by introducing animation projections among the elements of his sets.

    Melodramma brings together a rich selection of panels that, thanks to the artist’s masterful ability to synthesise forms and expressive use of colour, shows all his dreamlike power. With a text by Carlo Fuortes, Superintendent of the Teatro dell’Opera di Roma.

    Curated by Melania Gazzotti, a project by Associazione Flangini with the patronage and collaboration of the Department of Culture of the Municipality of Mantua. On show at the Casa di Rigoletto from 8 September to 3 October 2020.

    —

    Curated by Melania Gazzotti
    Texts by Melania Gazzotti and Carlo Fuortes
    Book design by Bunker

    13.5 × 19 cm
    80 pages
    Hardback
    Italian
    Isbn 978-88-98030-34-7
    First published September 2020

    Add to basket
  • add to wishlist
    Add to basket

    Cinema Mattotti

    € 30,00

    Lorenzo Mattotti, an internationally renowned illustrator, much loved by the public, has always looked to the seventh art as an inexhaustible source of inspiration.

    This book, produced on the occasion of the 2021 edition of the Festival International du Film de La Roche-sur-Yon, which has dedicated an unprecedented exhibition to the artist, aims to highlight the double thread that links Mattotti’s work to cinema. This double thread has led him over the years to design the posters of films and major film festivals, until signing in 2019 the highly successful animated feature film The Famous Invasion of the Bears in Sicily, which was presented at the Cannes Film Festival.

    The volume is divided into four sections: Film festival posters, from the image of numerous festivals in the 1990s, to the prestigious commission for Cannes, to the Venice Film Festival; Editorial illustrations, commissioned by “The New Yorker” during its long collaboration with the famous American magazine; Film posters, including Eros, for which he drew the poetic interludes that open the three episodes directed by Wong Kar-wai, Michelangelo Antonioni and Steven Soderbergh; and finally, animated films, from the very first Bluebeard, through Pinocchio to the aforementioned The Famous Invasion of the Bears in Sicily, accompanied by unpublished sketches and storyboards.

    The volume concludes with a long and impassioned interview with Lorenzo Mattotti by the Festival’s artistic director Charlotte Serrand, who traces the stages of his journey into the seventh art, which began in his great-uncle’s cinema, Cinema Mattotti.

    —

    Edited by Melania Gazzotti
    With the collaboration of Charlotte Serrand
    Illustrations by Lorenzo Mattotti
    Texts by Melania Gazzotti, Charlotte Serrand, Maximilien Schnel
    Book design by Bunker

    19.5 × 26 cm
    112 pages
    Hardback
    French/Italian
    Isbn 978-88-98030-43-9
    First published October 2021

    Add to basket

Related products

  • add to wishlist
    Add to basket

    Pittori di cinema – Campeggi Limited Edition

    € 130,00

    Beginning in the post-war period, the Italian film industry needed to involve artists to illustrate and promote its films. Thus the ‘film painters’ were born. In the 432 pages of this extensive collection of images, around 500 of which many are unpublished, there are several levels of interpretation. The first is that of the curator, Maurizio Baroni, perhaps the best known enthusiast and collector in the Italian film world. Over the years, his passion has led him to collect tens of thousands of posters, playbills, flans, sketches and to get to know and frequent almost all the 29 artists published in the book, as well as actors, producers and directors. He recounts half a century of cinema through posters, sketches and sketches specially selected by him, numerous first-hand accounts and some very tasty behind-the-scenes stories, revealing above all the human side of this particular group of artists. Truly popular artists, but not populars, who showed great originality and innovation by using diverse and unmistakable styles, thanks to the great expressive and narrative freedom they could enjoy. Often considered minor, they were nevertheless able to significantly influence the collective imagination.

    Instead, calligrapher Luca Barcellona dwells on the other decisive element of film posters, lettering, while graphic designer Andrea Mi questions their legacy, reflecting on how and to what extent these compositional forms subsequently conditioned the graphic style and suggestions connected with it. Finally, art historian Alessandra Cesselon presents the painters one by one, contextualising their works in the artistic environment of the time, which she experienced first-hand as the daughter of Angelo, one of its main exponents. She rejects the appellation of ‘poster artists’ for them and claims a full rehabilitation of what she does not hesitate to define as a true artistic current. The book is aimed at film buffs and collectors in general, but also at graphic designers and illustrators, students and professionals, as a historical document for enthusiasts and at the same time an inspiration for new generations of communicators.

    The 29 painters examined are: Manfredo Acerbo, Tino Avelli, Anselmo Ballester, Alessandro Biffignandi, Ercole Brini, Silvano Campeggi (Nano), Alfredo Capitani, Renato Casaro, Angelo Cesselon, Averardo Ciriello, Mario De Berardinis (Mos), Enrico De Seta, Renato Ferrini, Francesco Fiorenzi, Renato Fratini, Rodolfo Gasparri, Giuliano and Rinaldo Geleng, Piero Ermanno Iaia, Otello Mauro Innocenti (Maro), Carlantonio Longi, Dante Manno, Luigi Martinati, Giuliano and Lorenzo Nistri, Giorgio Olivetti, Arnaldo Putzu, Nicola Simbari, Sandro Symeoni.

    Preface by Gian Luca Farinelli, director of the Fondazione Cineteca di Bologna, and Carlo Verdone, actor and director.

    Edition with front and back cover dedicated to Silvano Campeggi, in a limited 130 + XXVI numbered copies signed by Maurizio Baroni.

    —

    Texts by Maurizio Baroni, Luca Barcellona, Andrea Mi, Alessandra Cesselon
    Preface by Gian Luca Farinelli, Carlo Verdone
    Book design by Bunker

    24 × 34 cm
    432 pages
    Over 450 images
    Hardback with dedicated cover
    Italian
    Isbn 978-88-98030-16-3
    First Edition July 2018

    Add to basket
  • add to wishlist
    Add to basket

    Lo sguardo della gallina

    € 18,00

    The hen’s gaze is oblique, transverse, direct, frontal and lateral, but only synthesis surrounds the object of understanding and meaning. The avant-gardes that characterised the last century, influencing and flowing like waves of meaning into the present, are reread by the gaze of musicians, photographers, actors, dancers, cooks and children, to become universal again in the scope and effects intended by their programmatic intentions. The manualistic path is only a pretext; an opportunity to delve into what remains to be remembered. Alongside are the voices of those who reread those poems, living them through the eyes of their art, discipline and profession. Their versions have naturally selected those avant-gardes that still live on in artistic creation today.

    In this intersection of planes, a further dimension is added, constructed by the gaze of Alessandro Sanna, who in turn dialogues with the description of the artistic movement and parallel suggestions through his refined and ironic brush. A transversal hypertextuality destined to open up further gazes for divergent readings, which will choose, follow traces or, like the hen, make synthesis.

    —

    Texts by Simone Azzoni Interviews to: Michele Abbondanza and Antonella Bertoni, Luca Baldini, Lorenzo Bazzocchi, Salvatore Bonafede, Fabrizio Bosso, Enrico Castellani and Valeria Raimondi, Valentina Chen, Andrea Cosentino, Silvia Costa, Isabel Cuesta Camacho, Leonardo Delogu, Giulia Fantazzini, Enrico Fedrigoli, Daniel Gonzalez, Enrico Rava, Antonio Rezza and Flavia Mastrella, Antonella Ruggiero, Simone Rugiati, Maurizio Zanolli
    Illustrations by Alessandro Sanna
    Book design by Bunker

    13 × 19 cm
    96 pages
    Paperback
    Italian
    Isbn 978-88-98030-12-5
    First published May 2018

    Add to basket
  • add to wishlist
    Add to basket

    Patagonia

    € 35,00

    “It was a kind of music. Six months later I found an album of oriental paper, and I started to draw a kind of landscape score. I tried to find this music of forms, I looked for my Patagonia from the Patagonia I had crossed”.
    – Lorenzo Mattotti

    This is not the first time that Mattotti has felt the need to make an illustrated travelogue, he had already done so in 2014, collecting a series of drawings documenting his discovery of Vietnam in a precious travel book, later published by Louis Vuitton. On Patagonia, however, the artist does not want to make a full-fledged reportage, as he had done for the eastern country; what interests him about this place is only one aspect: its boundless and virgin nature, not its inhabitants and their stories that had so fascinated storytellers such as Bruce Chatwin and Louis Sepulveda. For Mattotti, Patagonia is first and foremost a place of the mind and that is why he strips it of colour to represent it, synthesising its forms, making it almost abstract to succeed in giving us back a sensation before an image, the sensation that every man feels when he finds himself in an extreme land, in a land at the end of the world.

    Edited by Melania Gazzotti, the book presents all the 24 black and white plates contained in the Nepalese paper notebook where Mattotti copied his travel notes, together with a selection of colour drawings made by the artist in a classic Moleskine® notebook while he was in Patagonia. Both notebooks are unpublished and were made between 2003 and 2004.

    The world’s best-known Italian illustrator, a never-before-seen exhibition and a book to collect: Patagonia by Lorenzo Mattotti promises to be a not-to-be-missed event for all lovers of contemporary illustration and beyond.

    —

    Edited by Melania Gazzotti
    Texts by Lorenzo Mattotti, Melania Gazzotti, Jorge Zentner
    Book design by Bunker

    28 × 15 cm
    116 pages
    Swiss-style hardback
    Italian/English/French/Spanish
    Isbn 978-88-98030-28-6
    First published October 2020

    Add to basket
  • add to wishlist
    Add to basket

    L’Architettura degli Alberi

    € 95,00

    “So you have to know the trees to design parks; know them one by one, and also know that the design of a park is the design of a ‘becoming’, the proposal of a mechanism of transformation, growth, life and death.”
    – Franca Stagi

    The drawings in the book L’Architettura degli Alberi (The Architecture of Trees) by Cesare Leonardi and Franca Stagi represent an unsurpassed tool for the design of green areas.

    The result of a study that lasted over twenty years, the book contains the treatment of 212 tree species, drawn in scale 1:100, with and without foliage, accompanied by diagrams of the projections of shadows during the hours of the day and during the course of the seasons, tables of seasonal chromatic variation of the foliage and 393 descriptive cards for each family (53), genus (128) and species (212), with 185 particular drawings of leaves, flowers and fruits.

    A fundamental text, now available again in this renewed edition with a more up-to-date graphic design, appropriately revised, corrected and updated. Aimed at professionals, architects, landscape architects and designers, and anyone who suffers the irresistible charm of the wonderful world of trees.

    —

    Texts by Laura Conti, Augusto Pirola and Franca Stagi
    Introduction to the new edition by Andrea Cavani and Giulio Orsini
    Original illustrations by Studio Leonardi-Stagi
    Book design Bunker

    25,5 × 38 cm
    424 pages
    Over 550 illustrations
    Hardcover
    Italian
    Isbn 978-88-98030-19-4
    First published December 2018

    Add to basket

Caleidoscopica

€ 38,00