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    •  27,50

      “Antologia di cultura grafica” is the new series dedicated to the history of visual communication. Edited by Alessandro Colizzi and Silvia Sfligiotti, assisted from time to time by one or more guest editors, the series offers a series of volumes, organized around a theme or era, and includes a rich anthology of texts (articles, essays, chapters, excerpts, posters) translated into Italian and introduced by an essay by the editors.

      “Countercultures,” the second volume, contains twenty-five texts and forty-eight color images on the editorial and communicative production of groups and movements active in the political and artistic spheres that have played an essential, though not always recognized, role in the history of visual communication, giving rise to languages of rupture, bearers of alternative visions of society.

      The selected texts and images testify to the birth and spread of ideas, forms of expression and techniques that have made visible some important countercultural movements since World War II, from Situationist détournement to subvertising, from pacifism to environmentalism, from feminism to gender and ethnic minority claims, from the psychedelic revolution to the sexual revolution, from punk provocations to the visual research of underground magazines and Soviet-era samizdats.

      The resulting picture shows how the practical and theoretical action of countercultures, often addressing issues that are still relevant today for the first time, helped change not only visual languages but the very way of doing graphic art, both in approach and style.

      Antologia di cultura grafica 2
      Edited by Francesco Ciaponi & Silvia Sfligiotti
      Book design Bunker and Alessandro Colizzi
      13,5 × 21,5 cm
      276 pages
      Paperback with flaps
      Italian
      Isbn 978-88-98030-62-0
      First edition February 2024

    •  29,00

      One hundred encounters, fortuitous and unexpected, wanted and desired, through which the biography of Armando Milani, the internationally renowned designer, is outlined through anecdotes and images. A sui generis memoir, which the author gives us to capture through flashes, fragments and interweavings the fundamental encounters that most influenced his work and inspired his creative choices. Alongside the story of each encounter we find a photo or work related to the character, in perfect harmony with Milani’s expressive style: to communicate an immediate message, which seduces the eye to reach the heart. 

      Vico Magistretti’s clothes pegs, Jack Nicholson’s cherries, Paul McCartney’s Happy New Year on the beach, Pele’s goals, Muhammad Ali’s handshake, Alberto Sordi’s markets and Umberto Eco’s drunken sailors. Milani dancing with Mariangela Melato and his wife waltzing with Saul Steinberg. 

      What emerges is a mosaic littered with stories, which allows us to go in depth not only into Armando Milani’s biography, but also into the message he wants to give us, which characterises the founding features of his expressive research: ethics, friendship, the desire and the need to communicate are at the basis of his encounters. This is also why his graphic sign is so special, because it goes to the essence of things, becoming indelible and timeless.

      With texts by Mario Piazza, Francesco Dondina and Anty Pansera, and testimonies by Sergio Noberini, Andrea Depretis, Federico di Wardal, Stefano Asili, Federica Marangoni and R. Roger Remington.

      Texts by Armando Milani
      Book design by Armando Milani and Bunker

      13,5 × 21,5 cm
      256 pages
      Paperback with flaps
      Italian
      Isbn 978-88-98030-60-6
      First published September 2023

    •  18,00

      A story within a story is that of Paolo Paolini, artisan by necessity and master by genuine vocation. He did not graduate from high school until he was 36 years old, making great sacrifices and working the most diverse jobs before crowning his youthful dream: to become a master. It all happens in post-World War I Italy, according to the testimony of Paolini’s daughter Sara – who was also his pupil for three years – and the stories of his grandson, Francesco Bombardi, editor with Giorgio Camuffo of this book. 

      A beautiful story, narrated and illustrated by Veronica Martini, as are many others, whose protagonists are teachers and teachers – some very famous, such as Giuseppina Pizzigoni, Alberto Manzi, Mario Lodi, Ettore Guattelli – others unknown or less celebrated, such as precisely Paolini.

      Paolini unfortunately does not leave many written testimonies, only a few lines and a few letters with other teachers and pedagogists in Italy and abroad; too little to trace a theoretical path. However, to try to understand more deeply the purposes that guided his work, one must learn to read his machines, the notebooks he designed with his pupils and the games he invented. Those published in this 128-page volume, documented by numerous photographs, are not only objects constructed by a skilled hand but are also texts that reflect the way Paolini understood school and the figure of the teacher. Around this topic revolve the interventions and reflections of Franca Zuccoli, Dario Scodeller, Barbara Caprara and Gerda Videsott, feeding the interdisciplinary debate between education and design in its inevitable and continuous evolution.

      Edited by Giorgio Camuffo and Francesco Bombardi
      Photographs by Giulia Pezzin, Luca Weste and Isabel Righi
      Book design Giulia Pezzin

      12 × 18 cm
      128 pages
      Paperback
      Italian
      Isbn 978-88-98030-66-8
      First published July 2023

    •  27,50

      “Antologia di cultura grafica” is the new series dedicated to the history of visual communication. Edited by Alessandro Colizzi and Silvia Sfligiotti, assisted from time to time by one or more guest editors, the series offers a series of volumes, organized around a theme or era, and includes a rich anthology of texts (articles, essays, chapters, excerpts, posters) translated into Italian and introduced by an essay by the editors. 

      “La questione moderna in Europa”, first volume of the series, addresses the graphic debate within the modern movement of the interwar years, with an expanded look at the European continent to include authors from cultures and national histories hitherto neglected by historiography. 

      Far from being a unified phenomenon, the modern movement was characterized by a plurality of manifestations and the presence of very different theoretical positions. In particular, modernist graphics was the result of a process of negotiation between actors belonging to different national contexts. Moreover, actors from multiple disciplinary fields participated in its formation: advertising, publishing, architecture, photography, journalism, and the printing industry. 

      This anthology reflects the variety of orientations and opinions expressed both within individual national events and by the different personalities involved, who interpreted the ideology of the modern in ways and forms as heterogeneous as ever. The panorama that emerges is decidedly more nuanced and hybrid than has appeared in existing publications to date, and allows us to grasp the phenomenon in its theoretical, aesthetic, technological and social complexity. 

      Antologia di cultura grafica 1
      Edited by Alessandro Colizzi, Silvia Sfligiotti & Carlo Vinti
      Book design Bunker and Alessandro Colizzi
      13,5 × 21,5 cm
      280 pages
      Paperback with flaps
      Italian
      Isbn 978-88-98030-56-9
      First edition February 2023

    • Out of Stock
       48,00

      Claudio Rocha and Tony de Marco founded “Tupigrafia” magazine at the beginning of the millennium in São Paulo and have been working on it ever since. They are editorial designers and have always been a reference point for visual artists, communicators, researchers, teachers, calligraphers, street writers and typographers in Brazil. They created “Tupigrafia” because they wanted to have fun with letterforms and stay in touch with like-minded readers, exchanging ideas and experiences on the typographic scene. Their surprising and unconventional magazine has always reflected the state of typographic arts and lettering in Brazil and around the world.

      Now, after more than 20 years and 13 issues only available in Portuguese and almost all out of print, the masters of “Tupigrafia”, Rocha and De Marco, launch the first English-language anthology of the original magazine. A powerful and colourful 208-page volume presenting the vibrant content of “Tupigrafia” for an international audience of lettering and typeface enthusiasts.

      This unpredictable and unmissable anthology will feature some of ‘Tupigrafia’s most inventive and innovative subjects such as, among others, the sign painters known as “abridores de letras”, who work on boats in the Amazon; the Dutch postage stamps created by Gerrit Noordzij, Wim Crouwel, Joost Swarte and others; Fefê Talavera’s wall paintings for the ‘concrete jungle’ of São Paulo; the bizarre wooden typefaces of the Tipoteca Italiana and even the hidden typography of a pencil collection.

      Also available in limited edition: Tupigrafia. 2000–2020 Anthology – Limited edition

      Design and curatorship by Claudio Rocha and Tony de Marco
      Cover title by Luca Barcellona

      15.5 × 22.5 cm
      208 pages with letterpress insert
      Hardback
      Isbn 978-88-98030-41-5
      First published September 2021

    •  130,00

      Special edition limited to 50 copies for collectors
      60×40 cm dust jacket/poster with alphabet by Luca Barcellona
      Canvas slipcase with hot foil stamping.

      Claudio Rocha and Tony de Marco founded “Tupigrafia” magazine at the beginning of the millennium in São Paulo and have been working on it ever since. They are editorial designers and have always been a reference point for visual artists, communicators, researchers, teachers, calligraphers, street writers and typographers in Brazil. They created “Tupigrafia” because they wanted to have fun with letterforms and stay in touch with like-minded readers, exchanging ideas and experiences on the typographic scene. Their surprising and unconventional magazine has always reflected the state of typographic arts and lettering in Brazil and around the world.

      Now, after more than 20 years and 13 issues only available in Portuguese and almost all out of print, the masters of “Tupigrafia”, Rocha and De Marco, launch the first English-language anthology of the original magazine. A powerful and colourful 208-page volume presenting the vibrant content of “Tupigrafia” for an international audience of lettering and typeface enthusiasts.

      This unpredictable and unmissable anthology will feature some of ‘Tupigrafia’s most inventive and innovative subjects such as, among others, the sign painters known as “abridores de letras”, who work on boats in the Amazon; the Dutch postage stamps created by Gerrit Noordzij, Wim Crouwel, Joost Swarte and others; Fefê Talavera’s wall paintings for the ‘concrete jungle’ of São Paulo; the bizarre wooden typefaces of the Tipoteca Italiana and even the hidden typography of a pencil collection.

      Design and curatorship by Claudio Rocha and Tony de Marco
      Cover title by Luca Barcellona

      15.5 × 22.5 cm
      208 pages with letterpress insert
      Hardback
      Isbn 978-88-98030-41-5
      First published September 2021

    •  24,50

      A cult book, dedicated to the undisputed master of visual communication Bob Noorda, which reviews half a century of his career in which he created more than one hundred and sixty brands.

      In a long and impassioned dialogue with graphic designer Francesco Dondina, Noorda retraces contemporary icons whose sign, with its deep-rooted rationalist imprint, has given face and identity to industry and recognisability to our metropolitan routes. A timeless communication, Noorda’s, as demonstrated by the fact that many of the logos and designs he designed have survived the visual trends of recent decades, remaining almost identical to the original versions: the signage of the Milan and New York subways, the logos of Coop, Mondadori, Touring Club and Feltrinelli are just a few examples.

      The book also reveals a strong regret for a cultured Italy, open to the new, where the company directors were Enrico Mattei and Adriano Olivetti; where Milanese culture was marked by Gio Ponti’s Pirelli and Piero Bassetti’s Regione Lombardia; where architects, designers and intellectuals exchanged views with each other and with the world, in a free flow of thought and planning. According to Bob Noorda, reflection on visual design cannot elude the need to bring the culture of design back to the centre of debate, from academic lecture halls to boards of directors and even the seats of politics. After the first edition in 2009, Una vita nel segno della grafica (A Life in the Sign of Graphic Design) returns in this renewed 184-page edition, 48 of which are in colour, with a selection of the great master’s most representative works and an unpublished text by Massimo Vignelli, founder together with Noorda of the internationally renowned agency Unimark.

      The book is aimed at the entire world of visual design, enthusiasts, teachers, students of graphics and design, and of course the connoisseurs of this now legendary figure.

      Interview by Francesco Dondina with Bob Noorda
      Book design by Bunker

      13.5 × 21.5 cm
      184 pages (48 full colour)
      Paperback
      Italian
      Isbn 978-88-98030-37-8
      First published April 2021

    •  38,00

      Caleidoscopica takes us on a journey through the last ten years of the career of Olimpia Zagnoli, an internationally renowned illustrator whose sinuous and colourful images have quickly conquered the worlds of publishing, fashion and communication. Her unmistakable stroke guides us through the 148 pages of this anthology in an overwhelming sequence of works – drawings, prints, neon, textiles and sculptures – that are juxtaposed by free association or by clear affinities of theme, colour and form.

      The rhythm of this immersive journey is punctuated by a series of texts and thoughts from authors working in the fields of illustration, design and art, offering multiple and original readings of Olimpia’s work. The uniqueness of the publication is enhanced by a series of sketches, contained in notebooks of visual notes and preparatory works that reveal the creative process through which Olimpia, seeking the synthesis of the image, arrives at the essence of the message with the freshness and naturalness that make her unique. The book, edited by Melania Gazzotti, is addressed to lovers of illustration, to all those interested in design, fashion, style and looking for inspiration, and to all Olimpia’s fans. Caleidoscopica will also be an exhibition in Reggio Emilia planned for September 2021.

      Edited by Melania Gazzotti
      Texts by Melania Gazzotti, Kim Hastreiter, Steven Heller, Italo Lupi, Paola Pallottino, Guido Scarabottolo, Leanne Shapton, Peter Shire, Tamara Shopsin
      Book design by Bunker

      19.5 × 26 cm
      148 pages
      Hardback with mirror glasses
      Italian/English
      Isbn 978-88-98030-35-4
      First published March 2021

    •  38,00

      Katsumi Komagata’s ‘Book of Books’, an essential work by the author published in 2013 by Les Trois Ourses, now appears for the first time in a bilingual Italian and English version, in a revamped and updated edition. Komagata needs no introduction: it suffices to mention the two instances with which he revolutionised children’s publishing. Starting from an interweaving of his life with his young daughter Aï and the plastic experiments that characterised his training, Komagata manages to forge a new artistic sensibility through the extreme simplification of shapes and colours.

      In his books, the author accounts for the infant’s point of view on the world and, following his growth processes, he follows the development of his perception, realising a true study that is not only pedagogical but also anthropological. Moreover, his way of understanding children’s publishing is revolutionary in that the volumes themselves are true design objects: pop-up techniques, the Japanese art of origami or the tangram are just some of the many examples with which the author recovers the material value of any book, in a rich encounter of colours, shapes and sensory stimuli. In doing so, the sensitivity that transpires from his books cannot but broaden the audience, reaching even adults.

      In the 192 pages of this monograph, more than 100 illustrations offer a comprehensive view of his works. The book is aimed at all admirers of the figure of Komagata and what he represents for publishing, design and the graphic arts worldwide. The new edition in Italian and English also includes the titles published by One Stroke, the author’s agency and publishing house, over the last 5 years.

      Preface by Stefano Salis
      Texts by Kazumasa Nagaï, Élisabeth Lortic and Katsumi Komagata
      Book design by Bunker

      22 × 28 cm
      192 pages
      Paperback
      Italian/English
      Isbn 978-88-98030-33-0
      First published April 2019

    •  95,00

      “So you have to know the trees to design parks; know them one by one, and also know that the design of a park is the design of a ‘becoming’, the proposal of a mechanism of transformation, growth, life and death.”
      – Franca Stagi

      The drawings in the book L’Architettura degli Alberi (The Architecture of Trees) by Cesare Leonardi and Franca Stagi represent an unsurpassed tool for the design of green areas.

      The result of a study that lasted over twenty years, the book contains the treatment of 212 tree species, drawn in scale 1:100, with and without foliage, accompanied by diagrams of the projections of shadows during the hours of the day and during the course of the seasons, tables of seasonal chromatic variation of the foliage and 393 descriptive cards for each family (53), genus (128) and species (212), with 185 particular drawings of leaves, flowers and fruits.

      A fundamental text, now available again in this renewed edition with a more up-to-date graphic design, appropriately revised, corrected and updated. Aimed at professionals, architects, landscape architects and designers, and anyone who suffers the irresistible charm of the wonderful world of trees.

      Texts by Laura Conti, Augusto Pirola and Franca Stagi
      Introduction to the new edition by Andrea Cavani and Giulio Orsini
      Original illustrations by Studio Leonardi-Stagi
      Book design Bunker

      25,5 × 38 cm
      424 pages
      Over 550 illustrations
      Hardcover
      Italian
      Isbn 978-88-98030-19-4
      First published December 2018

    •  65,00

      Cesare Leonardi. L’Architettura della Vita / The Architecture of Life narrates the eclectic and interdisciplinary character of Cesare Leonardi’s research. Busy in a continuous and passionate investigation, far from notoriety despite the fact that some of his works are found in the most important museums of the world and are published on international magazines, Cesare Leonardi is the example of a life dedicated to architecture and planning. Through a flow of images, interspersed with thematic essays, his production is described: a kinetic system that has passed seamlessly from design to photography, from photography to drawing, from drawing to architecture, from architecture to sculpture.

      The book comes out on the occasion of the exhibition of the same name, organized by the Galleria Civica of Modena, from September 15, 2017 to February 4, 2018. A tribute from the city of Modena to the work of Cesare Leonardi over the course of four decades. The publication would not have been possible without the decisive contribution of the Cesare Leonardi Architect Archive, in particular thanks to the efforts of Andrea Cavani and Giulio Orsini, researchers at the Archive and curators of the catalog.

      More than 500 images including photographs, drawings, sketches and drafts show the work of Cesare Leonardi throughout his life, accompanied by texts written specifically by Veronica Bastai, Stefano Bulgarelli, Andrea Cavani, Andrea Costa, Daniele De Luigi, Eugenio Gazzola, Giancarlo Martinelli, Lucia Miodini, Giulio Orsini, Jessica Pagani, Francesco Samassa and Paola Viganò.

      Edited by Andrea Cavani & Giulio Orsini
      Book design Bunker

      23.5 × 28.5 cm
      320 pages
      More than 500 images
      Hardcover
      Italian/English
      Isbn 978-88-98030-24-8
      First published September 2017