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€ 70,00Piccolo albero (Little tree) is considered one of Katsumi Komagata’s absolute masterpieces: a pop-up book awarded at the Les plus beaux livres français competition in 2009 and recipient of a special mention at the BolognaRagazzi Award in 2010.
In this work, the Japanese designer reaches the pinnacle of his formal and narrative research, merging artisanal rigour with poetic delicacy. The book explores the universal themes of the cycle of life through a powerful natural metaphor. Between two white pages, a tiny tree is born, growing and changing through the seasons: leaves unfold, branches stretch, colours shift, the tree ages and finally disappears, leaving behind a seed that ensures its continuity.
The strength of Piccolo albero lies in a narrative that favours sensory perception over words: folds, textures and die-cuts guide the reader through a tactile and contemplative experience, a meditation on transformation, time and the fragile beauty of life.
About the book, Komagata has written: “I lost my uncle some time ago. Before losing someone, we cherish their presence; afterwards, we feel their absence. I chose this paper so that readers might touch it, as well as see it.” Piccolo albero thus becomes a bridge between nature and humanity, a narrative object that invites us to observe, wait and embrace the secret rhythm of life.
Text and illustrations
Katsumi KomagataBook design
Katsumi Komagata26 × 21 cm
32 pages
Hand-sewn hardcover
Italian/JapaneseIsbn 978-88-98030-87-3
First edition May 2026
€ 30,00The artist has personally intervened on each cover, making every copy unique. The image shown here is purely indicative. Watch the video.
A visual and intimate journey through the pages of Francesca Biasetton’s notebooks—calligrapher, illustrator, and performance artist. The book is organized into several thematic sections—travel, ideas, nature, letters—and gathers years of work, notes, experiments, and graphic reflections born from daily observation and the continuous practice of drawing.
The cover itself is part of the work: each copy of the book is unique, with original hand-made interventions by the author directly on the press sheets during printing. The volume thus serves as a gateway into the fascinating experimental phase that precedes the finished work, providing a valuable tool for observing the method and imagination of a professional in drawing and lettering.
For Biasetton, notebooks go beyond a simple collection of drawings; they are instruments of investigation and storytelling. Her pages transform reality into visual alphabets. Subjects range from travel impressions to decorative patterns, from natural elements to free letter compositions. Browsing these notebooks offers an experience—gathering ideas, feeding one’s creative inquiry, contemplating the beauty of a precise mark, and honoring those pencils that can chart a path forward when everything seems still.
This book is an invitation to slow down, observe, and record thoughts and emotions, allowing a deeper understanding of oneself through paper. It offers a subtle glimpse into the personal universe of an author who guides us along this path of discovery and visual listening.
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Notebooks by Francesca Biasetton
Texts by Luca Barcellona, Fabio De Luca
Book design Bunker21 × 28 cm
112 pages
Paperback with hand-illustrated cover
Italian/EnglishIsbn 978-88-98030-82-8
First edition October 2025
€ 29,00With this second volume, the H83 Documenta series continues its path of research, addressing a theme at once intimate and universal: psychological fragility. Published on the occasion of Matteo Sanna’s exhibition Oltre, held from April 12 to September 13, 2025, at the Habitat Ottantatré Art Center in Verona, in collaboration with NM Contemporary Gallery in Munich and curated by Annalisa Ferraro, the volume goes beyond documenting the exhibition setup, positioning itself as an autonomous space for reflection and experimentation.
Dedicated to fragility understood as an opportunity and fertile threshold from which new futures can sprout, the exhibition unfolds a journey of acceptance, awareness, and regained self-mastery. Each work stages an inner passage—the pause in discomfort, darkness, or disorientation—before allowing processes of resolution and rebirth to emerge. From the breaths imprinted on canvas in the 18720 – Out of Here series, to the recomposed fractures of Fragili Fraintendimenti, to the intimate, ritual gesture of Ladro di fiori, and the unprecedented luminosity of Glimmer, Sanna’s works transform vulnerability into poetic resilience, turning fragility into a possibility for shared transformation.
Works
Matteo SannaPhotography
Filippo Tommasoli
Nicola MassellaTexts
Annalisa Ferraro, Giacomo Corsi, Rosa MantovaniBook design
Bunker and Alberto Perera32 pages
15 × 24 cm
Singer stitch binding
ItalianISBN 978-88-98030-85-9
First edition, September 2025
€ 29,00This slim volume inaugurates the H83 Documenta series, an editorial project by Habitat Ottantatré created in collaboration with the publisher Lazy Dog. The series is curated by Annalisa Ferraro, with artistic direction by Zeno Massignan, and is designed to translate exhibition projects into an enduring editorial form that aims to transcend the temporary nature of the exhibition itself.
Specifically, this volume was published on the occasion of Devenīre, the exhibition by Federico Gori, which took place from October 5 to December 7, 2024. The exhibition, curated by Annalisa Ferraro, transformed over 200 square meters of exhibition space into a visual narrative focused on the theme of natural permanence and impermanence. Federico Gori explored resilience, rituality, and the inevitable transformations of the natural world, offering a profound investigation that intertwines past and present in a single ‘present moment’. The works on display, selected to represent the last ten years of his artistic research, highlight the heterogeneity of materials, languages, and techniques used.
This booklet is not only a documentation of the exhibition but also an autonomous editorial experience born from the intersection of various disciplines. The format aims to hybridize essay writing, journalism, catalog, and artist’s book. Each copy is made unique and unrepeatable through the intervention of the chosen artist, in this case, Federico Gori, who worked on each of the 130 covers, making the volume both a publication to be browsed and, at the same time, a collectible object.
Works
Federico GoriPhotography
Filippo TommasoliTexts
Annalisa Ferraro, Giorgio Massignan, Zeno MassignanBook Design
Bunker and Alberto Perera32 pages
15 x 24 cm
Singer stitch binding
ItalianISBN 978-88-98030-77-4
First edition, December 2024
Out of StockRêves Entrelacés EN/FR
€ 22,50The book is available only on our website or at festival venues.
Born in 1990, Amir Zand is a highly talented Iranian digital artist known for his multidisciplinary approach and unique perspective on visual art, conceptual design, and illustration. Over the past ten years, he has distinguished himself internationally, particularly in the realms of science fiction and fantasy, thanks to his visionary creativity and works characterized by a rich and unmistakable style.
Zand’s career is already filled with prestigious projects, having designed over sixty book covers and collaborated on iconic sagas such as Star Wars, Warhammer 40k, DUNE, Halo, and Mortal Engines. His work has been included in three consecutive editions of SPECTRUM: The Best in Fantastic Contemporary Art, one of the most important artistic publications dedicated to the fantasy genre. In 2020, he was listed among the 100 most esteemed illustrators in the world by the Association of Illustrators of Japan. His creations have been exhibited in prestigious museums and galleries, such as the Museo della Permanente in Milan, the CAFA Art Museum in Beijing, and the Shibuya Modi Gallery in Tokyo.
The book Rêves Entrelacés is conceived as a catalog for the artist’s solo eponymous exhibition, held during the Festival International du Film de La Roche-sur-Yon in 2024, marking his first major presence in France. The collection of illustrations provides a comprehensive overview of Zand’s work, compiling all the illustrations from the exhibition and featuring an exclusive interview with the artist conducted by Melania Gazzotti and Charlotte Perriand.
Illustrations by Amir Zand
Texts by Amir Zand, Maximilien Schel, Charlotte Serrand
Translations by Mercedes Claire Gillom, Cloé Tralci
Curated by Melania Gazzotti, Charlotte Serrand
Book Design by Bunker19.5 × 26 cm
64 pages
Paperback
French/English
Isbn 978-88-98030-72-9
First edition October 2024
€ 120,00The special edition boxed contains, in addition to the volume, three 30 × 60 cm posters and the vinyl LP with Dj Craim’s specially reissued soundtrack. Issued in 100 copies, it is available only on our website.
Luca Barcellona is an internationally known calligrapher, whom we are used to knowing for his immediate language, made of sinuous letters that bring calligraphic art into the contemporary world. Lost in Strokes is a publication about the artist’s current work, which, however, differs from the ‘Barcelona world’ we all know.
The book speaks an unprecedented language, on the borderline between asemic writing and painting, which photographs Barcelona’s expressive, stylistic and emotional evolution and his work of very recent times, demonstrating once again how for the author writing represents a dense, meditative, certainly artistic act. Letters for the first time are transformed into urban landscapes that create new pictorial alphabets, skylines start from types, are nourished by writing, but also take their distance from it to become something else, much more complex, as if to summarise the artist’s journey so far.
Certainly “using writing, making writing, and partly overcoming writing itself is an urgent issue in our contemporary times” (Fabiola Naldi), and once again Luca Barcellona positions himself as one of the most interesting artists on the international calligraphy scene, who indeed each time seems to push the boundary of the discipline a little further, trespassing, through an expressive metamorphosis, into contemporary art.
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Texts by Fabiola Naldi and Luca Barcellona
Soundtrack by Dj Craim
Book design by Bunker21 × 28 cm
48 pages
Gloo bound
Italian
Isbn 978-88-98030-46-0
First published February 2022
€ 24,00Since the beginning of her career as a visual artist in the early 1980s, Emi Ligabue has focused her research on everyday objects, from everyday utensils to the icons of modernity and design, first creating sculptures and installations and then two-dimensional works, preferring the technique of collage. Taking and recontextualising images is his signature style and has allowed the artist to freely experiment with mixing genres, and to reflect on the increasingly blurred boundaries between visual and applied arts.
In the 65 collages of La settimana bianca (The White Week), the title of the exhibition curated by Melania Gazzotti at the Mutty cultural centre and its catalogue, Emi Ligabue measures himself against a different visual imagery: the mountain, as a relatively recent holiday and winter sports destination. This time, therefore, the subject of investigation is no longer the artefact itself, but rather the visual ensemble of snow-covered peaks, skis, snowshoes and plastic poses, placed within a collective phenomenon of custom – which began in the 1960s and is now consolidated – that thanks to artistic elaboration and interpretation becomes evocation and takes on an iconic perspective, anything but free of irony and provocation, as is the artist’s custom.
A book for lovers of illustration, graphics and design and, of course, for die-hard winter mountain-goers.
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Edited by Melania Gazzotti
Texts by Melania Gazzotti
Book design by Bunker21 × 28 cm
68 pages
Sewing stitch Singer
Italian
Isbn 978-88-98030-14-9
First published January 2019
-16% Off€ 18,00Original price was: € 18,00.€ 15,12Current price is: € 15,12.The hen’s gaze is oblique, transverse, direct, frontal and lateral, but only synthesis surrounds the object of understanding and meaning. The avant-gardes that characterised the last century, influencing and flowing like waves of meaning into the present, are reread by the gaze of musicians, photographers, actors, dancers, cooks and children, to become universal again in the scope and effects intended by their programmatic intentions. The manualistic path is only a pretext; an opportunity to delve into what remains to be remembered. Alongside are the voices of those who reread those poems, living them through the eyes of their art, discipline and profession. Their versions have naturally selected those avant-gardes that still live on in artistic creation today.
In this intersection of planes, a further dimension is added, constructed by the gaze of Alessandro Sanna, who in turn dialogues with the description of the artistic movement and parallel suggestions through his refined and ironic brush. A transversal hypertextuality destined to open up further gazes for divergent readings, which will choose, follow traces or, like the hen, make synthesis.
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Texts by Simone Azzoni Interviews to: Michele Abbondanza and Antonella Bertoni, Luca Baldini, Lorenzo Bazzocchi, Salvatore Bonafede, Fabrizio Bosso, Enrico Castellani and Valeria Raimondi, Valentina Chen, Andrea Cosentino, Silvia Costa, Isabel Cuesta Camacho, Leonardo Delogu, Giulia Fantazzini, Enrico Fedrigoli, Daniel Gonzalez, Enrico Rava, Antonio Rezza and Flavia Mastrella, Antonella Ruggiero, Simone Rugiati, Maurizio Zanolli
Illustrations by Alessandro Sanna
Book design by Bunker13 × 19 cm
96 pages
Paperback
Italian
Isbn 978-88-98030-12-5
First published May 2018
-30% Off€ 25,00Original price was: € 25,00.€ 17,50Current price is: € 17,50.Jennifer Allora and Guillermo Calzadilla confirm their expressive power and the lucidity of their intellectual provocation. Present for the first time with a ‘solo exhibition’ specially created for the MAXXI spaces, they have already been the protagonists of incursions that have left their mark on us. Lightness and complexity have always attracted the artistic and human partnership of the American couple, of Cuban origin, who blossomed in Florence and have long since transplanted to Puerto Rico. And it is precisely to the Caribbean island, hit by terrifying hurricanes in the summer of 2017, that Blackout is dedicated: a collection of poetic and biting works. There is a denunciation of suffering produced by its history of colonial exploitation, marginality, subjection to military servitude and endemic poverty that have multiplied, to the extreme, the damage caused by the climate disaster.
So & Calzadilla, expressing the Puerto Rico forced to survive without electricity, seem to suggest that we are without light, without a plan for a sustainable future, especially at our latitudes. The book, catalogue of the exhibition of the same name in Rome from 16 February to 30 May 2018 curated by Hou Hanru and Anne Palopoli, in addition to photographs of the works on display, contains two plates by Marino Neri drawn for the occasion and essays by T.J. Demos, Sara Nadal Melsió and Frances Negròn Muntaner.
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Edited by Hou Hanru, Anne Palopoli
Illustrations by Marino Neri
Book design by Bunker16.5 × 24 cm
148 pages
Paperback
English/Italian
Isbn 978-88-98030-23-1
First published February 2018
-25% Off€ 22,00Original price was: € 22,00.€ 16,50Current price is: € 16,50.Guido Scarabottolo, one of Italy’s best-known and best-loved illustrators, presents in this volume a never-before-seen aspect of his artistic production: not drawings, but a series of thirty-two photographs that the author took during a journey of discovery through Iran, where he was invited on the occasion of the Tehran Book Fair. Deeply fascinated by the places and people he encountered while visiting cities, villages and the desert, Scarabottolo felt the urge to fix his impressions with an instrument that would allow him to capture them quickly. In spite of the unusual medium, all his sensitivity as a man and artist emerges from these shots. He is also capable of casting his gaze on unexpected subjects that manage to render different aspects of the complexity of Persian culture with great simplicity and effectiveness.
Scarabottolo, graphic designer and illustrator, proves with this work that he is an artist who is not afraid to momentarily abandon his favourite expressive technique and let himself be guided only by his own gaze and curiosity. Edited by Melania Gazzotti and Giulia Giazzoli, the volume is enriched by a critical text by Andrea Pinotti, lecturer in aesthetics, writer and expert in visual culture.
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Edited by Melania Gazzotti and Giulia Giazzoli
Texts by Guido Scarabottolo, Andrea Pinotti, Melania Gazzotti and Giulia Giazzoli
Photos and illustrations by Guido Scarabottolo
Book design by Bunker21 × 28 cm
64 pages
Bound with elastic
Italian
Isbn 978-88-98030-11-8
First published November 2017
-30% Off€ 39,00Original price was: € 39,00.€ 27,30Current price is: € 27,30.There is more than what meets the eye in Matthew Albanese’s captivating works. From an erupting volcano to a sweeping tornado to the landing on the moon, nothing is quite what it appears to be. Welcome to the extra-ordinary world of Matthew Albanese, where glaciers are not made of ice but of sugar, salt, egg whites, food coloring, flour and light.
Albanese meticulously fabricates and then photographs small-scale models of complex panoramic vistas, such as wind-blown willows on stormy rivers and raging forest fires, using humble materials including cotton batting, boiled sugar candy, sand, and feathers. By masterly manipulating the scale, depth of field, balance and lighting, he alters the appearance of the materials to create dramatic and emotionally evocative landscapes. This beautifully designed book brings together for the first time all the photographs in the Strange World series, including a new work made especially for the publication. The book features an engaging essay by David Revere McFadden, behind-the-scenes images of the miniature worlds, and insightful text by the artist on the process of his work.
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Tests by Matthew Albanese
Essay by David Revere McFadden
Book design Pitis22.5 × 28 cm (9 × 11”)
96 pages
105 color plates
Hardcover
English
Isbn 978-88-98030-03-3












