Carlo Vinti

(Naples, 1969) Associate professor in the School of Architecture and Design at the University of Camerino, he has been involved in the history of design and graphic design for many years. He was associate editor of the journal Ais/Design Storia e Ricerche and co-curator of the fifth edition of the Triennale Design Museum (2012). His recent publications include Campo Grafico (Tipoteca 2019) and L’Italia e l’Alliance Graphique Internationale (Corraini, 2022).

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    Original price was: € 81,00.Current price is: € 64,80.

    «Incontri» is a sui generis memorial that the famous designer Armando Milani gives us at the sunset of his career. This book captures through flashes, fragments and plots, the fundamental encounters that most influenced his work and inspired his creative choices. Each anecdote is accompanied by a large selection of images.

    Bob Noorda. A life in the sign of graphics» is a cult book, dedicated to the undisputed master of visual communication Bob Noorda, which reviews half a century of career in which he created more than one hundred and sixty brands. The interview is by Francesco Dondina.

    «The modern question in Europe», the first volume of the series «Anthology of graphic culture», addresses the graphic debate within the modern movement of the years between the two wars, with an extended look at the European continent to include authors of cultures and national histories so far neglected by historiography.

  •  27,50

    “Antologia di cultura grafica” is the new series dedicated to the history of visual communication. Edited by Alessandro Colizzi and Silvia Sfligiotti, assisted from time to time by one or more guest editors, the series offers a series of volumes, organized around a theme or era, and includes a rich anthology of texts (articles, essays, chapters, excerpts, posters) translated into Italian and introduced by an essay by the editors. 

    “La questione moderna in Europa”, first volume of the series, addresses the graphic debate within the modern movement of the interwar years, with an expanded look at the European continent to include authors from cultures and national histories hitherto neglected by historiography. 

    Far from being a unified phenomenon, the modern movement was characterized by a plurality of manifestations and the presence of very different theoretical positions. In particular, modernist graphics was the result of a process of negotiation between actors belonging to different national contexts. Moreover, actors from multiple disciplinary fields participated in its formation: advertising, publishing, architecture, photography, journalism, and the printing industry. 

    This anthology reflects the variety of orientations and opinions expressed both within individual national events and by the different personalities involved, who interpreted the ideology of the modern in ways and forms as heterogeneous as ever. The panorama that emerges is decidedly more nuanced and hybrid than has appeared in existing publications to date, and allows us to grasp the phenomenon in its theoretical, aesthetic, technological and social complexity. 

    Antologia di cultura grafica 1
    Edited by Alessandro Colizzi, Silvia Sfligiotti & Carlo Vinti
    Book design Bunker and Alessandro Colizzi
    13,5 × 21,5 cm
    280 pages
    Paperback with flaps
    Italian
    Isbn 978-88-98030-56-9
    First edition February 2023